juillet 6 - 10

K.J. Holmes

INFINITE AFFINITIES: Improvisation, Somatics and the Musics of Performance Practices

This 5 day afternoon workshop for dancers, musicians, actors and performance artists will explore movement, sound, image and text through entering into the many physiological and etymological states that the body holds as vibration and inner musicality. We will explore ways of tuning the instrument of physical, mental, emotional, spiritual bodies to amplify resonation, tone and fluid currents. We will deepen into the body as a source for creative practice in theater, voice and the poetics of moving. Explorations will include entering into solos and duets as well as ensemble scores to create a symphony of improvised movement, and words.

Through acquiring articulate language to describe states of experience, we will create maps for entering into experiences of sensation and design to be blueprints for performance studies, establishing fluid ground for supporting the wisdom of each students’ experience. Along with the momentum of new input to support different qualities increasing solo attention, awareness and intention, we will actively witness ourselves and each other. Each student will gain knowledge of their strengths as well as widen choice, create discernment and practice embodiment through exposing contradictions in the body and engaging with the imagination within the ensemble. This workshop will guide students to find volume within themselves, new states and qualities of expression, and the play between discipline and freedom, strength and vulnerability. Movement, voice, writing, drawing will be a few of our tools.

These studies are based on K.J.’s decades of studies, teachings and performing of different somatic, sonic and sensory modalities.

K.J. Holmes's biography

K.J. Holmes, based in New York, has been practicing Improvisational forms as process and performance since 1981. These practices have deeply informed her journey as an independent dance artist as well as an actor, vocalist, writer and teacher. An avid improviser and creator of solo/duo and ensemble work, she has studied with the early pioneers of contact improvisation including Steve Paxton, Nancy Stark Smith and Daniel Lepkoff, has collaborated and led work with and of Simone Forti and Troupe, and was a member of Image Lab performing the Tuning Score of Lisa Nelson. Other collaborators include poets Julie Carr and Edwin Torres, dancer Karen Nelson, drummer Jeremy Carlstedt, trumpeter Roy Campbell, Jr., actor Keith Biesack, and the Feel Trio (violinist Ramsey Ameen and poet/writer Fred Moten). Her influences include Body Mind Centering ® and the work of Bonnie Bainbridge Cohen, Ideokinesis with Andre Bernard, Meisner acting work with Terry Knickerbocker, voice and singing with Richard Armstrong, Barbara Maier Gustern and Samita Singha, among others. K.J. is a certified Yoga teacher through her studies with Sondra Loring, and a certified Ayurvedic Holistic Health Counselor through her studies with Dr. Naina Marballi. She teaches at NYU/Experimental Theatre Wing and Movement Research in NYC, as well as traveling nationally and internationally teaching, performing and creating, most recently at the Montreal Contact Festival, Italy Contact Festival and at Tictac Art Center in Brussels.

K.J. has performed in the work of filmmaker/artist Matthew Barney, dancer/writer Karinne Keithley Seyers, music video of Mitski, Steve Paxton, Miguel Gutierrez, Xavier Le Roy, among others, as well as developing her own solo and group work. She is currently conducting a new ensemble piece, Blu/print, that began Fall 2023 with a grant from the New York State Choreographers Initiative through the New York State Dance Force and with the mentorships of composer/instrumentalist Henry Threadgill.

Réductions*

En réservant en une seule fois 2 ateliers ou plus pour le même participant, vous pouvez bénéficier des réductions suivantes :

  • 2 ateliers
    10%
  • 3 ateliers
    15%
  • 4 ateliers ou plus
    20%
  • 2 ateliers la même semaine
    15%

*Les réductions ne s'appliquent qu'aux ateliers d'une semaine ou de deux semaines. Les réductions ne s'appliquent pas aux ateliers intensifs (4 semaines ou plus).